The cover of Pedal uses a shallow depth of field for this photo of a man wading further and further into the (not shallow) water in order to muster a feeling of wistfulness and adventure.
I enjoyed how this portrait was very simple. I liked how there wasn't much to distract you from the guy in the water, the photo also forces you to wonder why he has a bike in the ocean. I wonder if the photo would have a different feel if the rule of thirds was applied and the character wasn't in the middle of the photo.
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